Game Review - Retro City Rampage (XBLA, 2013)

I’m always excited to catch references to the things I love in movies or games.  A well-placed and executed reference can add depth to a story by adding multiple layers, it can enhance the emotional content of a scene by drawing parallels, or it can just give that tingly feeling of nostalgia when it reminds the audience of an old favorite.

The opening scenes of Retro City Rampage are a rapid-fire series of references, even going so far as to recreate bits from classic games.  It sets the stage for a game that will beat the life out of you with a nostalgia stick and continue to mutilate your corpse in the same manner.

And then it does.  Sadly, that’s about all the game does well, as it ends up being a simple vehicle for cramming an absurd number of pop culture references into a game, most of which are painfully blatant.

Set in the 1980s, Retro City Rampage follows the cleverly-named Player in his modest quest to make some cash working as an evil henchman.  Through a strange turn of events, Player ends up stealing a time-traveling phone booth, which sends him to a slightly different time.  The time machine is broken in the process, so he starts looking for the parts necessary to complete the repairs.

It’s overall a weak story, but to be fair, Rampage follows the Grand Theft Auto tradition in a lot of ways.  In terms of narrative, that means that the protagonist encounters a number of vaguely connected subplots that give the writers an excuse to do cool stuff (Remember: in Rampage, “cool stuff” means “references”).  The most disappointing part is actually that the number of references decreases significantly as the game goes on, trading the game’s major strength for various other gags.

The references themselves are shameless.  They are absolutely everywhere (which is honestly pretty impressive), but their conspicuous nature makes them very hit-or-miss - if it’s a nod to something you particularly enjoy, you’ll probably like the reference; otherwise, it feels kind of forced.  I experienced a substantial laughing fit at only one point, but the majority of the game is worth a little chuckle at best.

To make matters a bit worse, Rampage is really a game all about nostalgia.  Most of the references I noticed are about 80s and 90s culture, so many will be lost on younger gamers.  If you’re not interested in remembering and reliving classic 8-bit moments, you’ll likely find Rampage to be incredibly boring.

The rest of the game is similarly niche.  Structured like one of the early Grand Theft Auto games, Rampage gives you free reign over an open but highly pixellated world.  Everything’s presented in 2D from a top-down perspective, so the graphical package is pretty limited.  The sound quality is also old school, although they successfully channeled some of the better NES soundtracks.  Given what they’re doing, the overall audiovisual style is great, but it’s driven by nostalgia, which severely limits the game’s scope.

Then there’s the gameplay.  It’s GTA all over, as your primary focus is running through the streets causing as much havoc as possible.  And that’s just about it.  You’ll hijack vehicles and shoot anyone who gets in your way, but the mechanics behind driving and fighting don’t leave much room for depth.  All the random tasks you’ll have to perform are all ultimately driving and fighting, so it can get awfully repetitive.

Seeing that there’s not much depth to the gameplay, it’s not surprising that it’s all pretty easy and short.  The main story can be completed within five hours, and the optional challenge missions don’t provide any further value aside from some high score leaderboards.  Basically, there’s very little content and very little to bring you back after you’ve run through the story once.

Retro City Rampage is built on a great premise – an entertaining game that pokes fun at gaming’s past through parody.  Instead of getting a production that thrives by reminiscing, we get one that barely survives by desperately grasping at every reference it can find.  As a 90s kid, I found it to be decent enough, but without the benefit of nostalgia, it’s probably not worth your time.

My Rating: 5/10 - ok.

Achievement Report - April 13, 2013

This week has been another random cleanup week for achievement hunting.  Things were looking pretty grim for Team Lazy Eye in the final hours of this week's scoring period.  Despite racking up another thousand TA score with an hour to spare, we're not in the clear yet - due to problems with Xbox Live, the organizers have delayed this week's elimination.  Now six teams will be eliminated next weekend, and scores won't be reset today, so we still need to dig out of this hole...

Here's what I've done this week, though:

I continued to work on the Tomb Raider multiplayer, trying to reach level 60 and be done with it.  Unfortunately, I ran into a series of weird glitches (including, among other things, unlocking the Shopaholic achievement well before I had really earned it), and the next day all my multiplayer progress had been reset.  Now I'll have to grind up to level 60 from scratch.  That probably won't happen for quite some time...

I also continued the slow process of crafting better armor and weapons in Terraria this week.  I grabbed a couple achievements, including one for defeating my first hard mode boss, and I managed to get a full set of Adamantite Armor, which is the best armor I can currently make.  I also nabbed one of the pets (there are apparently five total), so I'm slowly making all kinds of progress.  I figure I'm probably still a few dozen hours from full completion, but it's still an entertaining ride, so I'm not complaining.

For a new game, I've been playing Toy Soldiers.  I've been a sucker for tower defenses since playing Wintermaul in Warcraft III, and Toy Soldiers definitely satisfies that desire.  It's not a bad game, and most of the achievements seem pretty straightforward (a lot are story-related), and those that aren't straightforward look to be easily obtained (there's a level select screen).  The biggest problem I'm facing with this game is that it's not really fun for long stretches, only in really short bursts, so it's hard to power through all the achievements.

Today, I started up another new one: Retro City Rampage.  After only 6-7 hours of playtime, I've finished the story and have almost wiped up all the achievements.  So, from an achievement point of view, Retro City Rampage is easy-peasy, doable in under 10 hours of game time.

In non-GTASC gaming, I barely scraped another 7-day Avatar of Jarlsberg ascension in KoL this week.  After going into day 7 in fantastic position (I was about 25 turns away from the end of the war at the end of day 6), I nearly lost it when it took over 80 adventures to get a disease to pass the tower, and another 20 to get powdered organs.  Still, I finished with 17 turns to spare, so I've started yet another AoJ run.  I'm hoping to finish this one in 6 days, but that's obviously going to depend on some RNG love.  We'll see...

Oh, I also forgot to mention last week that I managed to get third place in the Hyrule clan ascension contest with my 19-day 100% Black Cat run in Bad Moon.  My prize was a shiny (?) Rock Lobster, which runs about 900k in the mall.  Sweet!

My newest baby.

As usual, I have played a number of StarCraft II matches as well, getting a couple dozen more Team Random wins.  I played a few vs. AI games, too, trying to finish the Race Command achievements, and managed to snag some wins against Elite AI.  It wasn't nearly as bad as I'd expected (either Elite is softer than the Very Hard AI used to be, or I really have gotten a lot better at the game over the last few years), so the vs AI Elite achievements may not be totally out of reach.  I'll keep giving it a shot in the next few weeks and see what happens.

I also hit 250 Team Protoss wins.  I still need about 400 more Random wins, then I'll have to clean up the specific race achievements.  Terran's going to be nasty...  Slow and steady, but I'm definitely getting there.

Also a measure of my relative skill with the three races...

And that's it for this week.  I have some big plans for the next week, so hopefully I'll have something exciting to report come this time next Saturday.  Until then, tschüss.

Game Review - Terraria (XBLA, 2013)

My friends were never quite able to convince me to get Terraria when it was released on the PC.  Despite what they may have told me, I couldn’t help but see it as a 2-dimensional, sprite-based Minecraft, and Minecraft never really excited me.  Although I see that sort of game as a great outlet for creativity, I tend to prefer exploring worlds and discovering their secrets over creating my own.

I had some spare MSP sitting in my account, so when Terraria was released as a downloadable console title, I decided to give it a shot.  Although there’s a pretty steep learning curve at the start, what I found was one of the most addicting games of the last few years.

On its surface, Terraria is pretty simple: old-school graphics reminiscent of the late NES-early SNES days, a gameplay system built on mining your way through a 2D landscape, and rather basic inventory and combat features.  After spending some time getting used to the interface and exploring the procedurally-generated world, the true depth and beauty of the game springs forth.

First off, the worlds Terraria generates are huge – even the “small” map that I started was enormous.  It takes several minutes of straight running to travel from one end of the level to the other, and the stages are nearly equally deep, with several layers of geological stratification.

And it’s so much more than just a blank canvas.  Different ecological zones (deserts, jungles, deep dungeons, corrupted terrain, and even Hell, if you dig deep enough) dot the landscape, and each brings new varieties of monsters to ruin your day.  You may also run across rare mineral deposits which, once mined, will open up big crafting trees with all kinds of weapons, armor, and general tools to use.  These features make exploration fun and exciting, and you always have the prospect of generating a new world and starting over.

Terraria also gives players a chance to impose their creativity on the world, as the basic structure of everything can be altered to fit your desires.  You can build grand floating cities to house the NPC merchants that will join you over time, or you can strip mine the entire jungle looking for gemstones and precious ores.  Providing some utility beyond mere creativity, you can use these mechanics to create arenas for facing nasty bosses or to surround yourself with stone, giving your character’s health a chance to regenerate.  It’s an open world that you can modify to suit your desires and needs; it’s definitely an experience like no other game I’ve ever played.

The game controls like a twin-stick shooter: the left stick moves your character, while the right focuses his or her aim in a particular direction.  You can switch between two types of targeting modes on the fly, allowing you to go from precise targeting of a nearby block (useful for placing objects and carefully removing earth from specific spaces) to indiscriminate “that way!” aiming (useful for digging tunnels and firing projectiles) with a click of the right stick, almost seamlessly melding the two uses for different levels of precision.

Similarly, the inventory system allows you to organize your stuff with care while sitting in your house (or hut or castle or dungeon, if those better suit your tastes), but then you can quickly flip between several active items in the heat of the moment.  At particularly urgent times, it can be a bit sluggish, as you have to scroll through active items instead of grabbing one directly, and there is no way to pause the game (the world is always active in the background while navigating any menus), but it works pretty well given those constraints.

Putting everything together, Terraria is a surprisingly challenging game.  Very few things come easily, and even when you’re finally able to smelt enough metal to craft some shiny new armor, there’s (almost) always another area or another boss that will still smack you silly.  It’s a rewarding system that makes you feel like you’re always making strides towards defeating the next big baddie, and it feels like a huge triumph when you’re finally able to dispatch the monster that had easily brushed you aside when you first encountered it.

Basically, Terraria feels like a customizable, resettable MMORPG – it gives a big world to explore and modify, and each world is unique, so there are always areas to explore.  You can freely move your characters between worlds, too, so you can raid worlds and return home to reap the benefits.

The biggest problem with the XBLA version of Terraria is not really a flaw with the game, but rather with the community.  The game offers multiplayer modes (although not local multiplayer, tsk tsk), wherein you can join other players’ worlds or have others join yours.  After spending a bit over 30 hours with “play online” checked, I have never seen another player join my world, and have I never seen someone else’s world available on the world selection screen.  In a game with so much potential for multiplayer shenanigans (boss runs through new worlds could be great fun with a small group, as an example), the distinct lack of an online community is terribly disappointing.

It’s not the most stunning game, and it takes some time to get used to the controls and interface, but Terraria is an incredible gaming experience.  In a league almost entirely its own, every gamer ought to spend some time with this title.

My Rating: 9/10 – awesome.

Monday Magic - Winning Through Excessive Taxation

I've been excited by Extort since I first saw it in action, and I'm finally getting around to crafting a deck built around this interesting mechanic.  The goal is pretty simple: focus on removal (and survival in general) while Extorting everything like mad.

As such, the basic strategy is as follows: get as many permanents with Extort into play as possible, then cast tons of cheap spells for an annoying win by Extort.  It's pretty straightforward.

Here's what I slapped together:

Creatures:

4 Thrull Parasite
4 Basilica Screecher
2 High Priest of Penance
2 Syndic of Tithes
2 Vizkopa Guildmage
3 Kingpin's Pet
2 Alms Beast
1 Guardian of the Gateless
1 Vizkopa Confessor
1 Treasury Thrull

Instants:

2 Shielded Passage
2 Smite
2 Doom Blade
2 Geth's Verdict
2 Orzhov Charm

Sorceries:

2 Lingering Souls

Enchantments:

1 Blind Obedience
1 One Thousand Lashes

Lands:

1 Godless Shrine
1 Isolated Chapel
10 Plains
12 Swamp

I think the mana curve is low enough and I have enough Extorters that I should be able to start Extorting consistently by turn three or four, culminating in four or five Extorts on top of each spell in the late game.  Assuming I can keep my Extorters going through the game, I think I'll be in a great defensive position to Extort my enemies to death.

I'm really looking forward to testing this one out and finding all the major weaknesses; it'll be a good time.

Weekly Achievement Report - April 6, 2013

Coming up on the last 24 hours of this week's scoring period for the GTASC, our team was in dead last - by over 1,300 points.  That deficit was largely my fault, as TA Ratios tend to be terribly inflated immediately after a game's release (most people haven't had enough time to play through the game, so it takes a while for the ratios to equilibrate).  In a desperate attempt to avoid elimination and placing 79th in the contest, I whipped out some of my big boosters.  It was a Gamerscore blitz, and it helped save Team Lazy Eye from eliimination this week.  Here's what I played (as well as everything else I played this week):

I finally finished PowerUp Heroes.  It's a surprisingly decent game, and most of the achievements can be earned in a couple of hours.  The last one for reaching level 10, however, takes several hours of grinding.  The game can still probably be finished in 7 or 8 hours, but those last few hours are painfully tedious.  It was worth a whopping 788 TA Score, though, so that did a lot to pull us out of the hole.

I also worked on X-Blades, getting all but the achievement for 10,000 kills.  Some of the in-game cheats don't disable achievements, which makes this otherwise clunky game a lot more manageable.  At some point I'd like to go back and play through it all legitimately, just to see how it plays out, but it gave a nice 1,400 TA Score in a rather short time, so it was a huge success in saving Team Lazy Eye.

I started Fruit Ninja Kinect, which, while simple, is both surprisingly fun and an impressive workout.  I'll definitely be coming back to this one soon.  And the achievements come pretty easily, without needing to do much more than just play the game and get high scores.  They're not really "achievements" because they're so easy, but it was a big help in avoiding elimination.

As in the last few weeks, I've been slowly chipping away at some of the other time-consuming achievements.  Tomb Raider multiplayer matches and working towards defeating Terraria bosses (by slowing mining and forging better items) have therefore taken up some of my time.

I completed another Avatar of Jarlsberg ascension in KoL, too.  That one clocked in at 7 days, 1,053 turns. I think that the next few runs will be comparable; the next quantum leap will happen when I'm able to get Lunch Like a King early in the run.

My last few ascensions, including my lifetime stats.

As it stands, my skill-path strategy is to start with Breakfast, getting The Most Important Meal (turn gen), Egg Man (+item), and up to Fry (food and combat skills), then jumping to Dinner, going up to Grill (that lets me make Perfect Breakfasts for a good diet) and grabbing Never Late for Dinner along the way.  I then work my way down Dessert so I can get Chocolatesphere (-combat is pretty darned useful).  With the extra few skill points I get, I've been investing in Coffeesphere (helps with the lighthouse war quest), Best Served Cold (bonus damage is always nice), and Food Coma (rests that recover all MP allow me to summon several extra resolutions each day).

In a couple more runs, I'll ignore Best Served Cold and Food Coma in favor of the Path of Lunch for the extra stomach capacity. I'll approach my limit when I can get both Lunch Like a King and Nightcap on day 1; hopefully that'll put me in the 5-day ascension range.  It's just a couple more weeks to find out.

And, of course, I've been playing some StarCraft II throughout the week.  I still haven't gone back to the Swarm campaign to mop up the Mastery achievements, but I've been inching ever closer to the achievements for 1,000 wins with each race.  Plus I'm increasing my Swarm race levels: I'm up to 13 Terran, 17 Zerg, and 14 Protoss.  You can tell which is my best and which is my worst...

Hopefully next week will be a bit smoother...  See you then!

Game Review: BioShock Infinite (Xbox 360, 2013)

As the heir to one of modern gaming’s royal dynasties, BioShock Infinite follows an impressive legacy.  Despite taking the series into the clouds, Infinite lost most of the charm that made BioShock a masterpiece, feeling more like your average shooter than the epic companion to a classic game.  Here’s why:

To put BioShock Infinite’s mediocrity in perspective, it’s worth looking back at why BioShock became the phenomenon that it is.  In terms of fundamental mechanics, BioShock is a great first-person shooter, with smooth controls and fun features that make it exceptionally exciting.

But BioShock stands apart from all other great shooters because it created a wonderfully detailed and engrossing world.  The underwater city of Rapture (BioShock’s setting) and the beautifully twisted society crafted by Andrew Ryan (the in-game personality behind Rapture) are incredibly compelling, in large part because they take a real-world philosophy to an absurd degree, which in turn leads to all the game’s major conflicts.  This setup puts BioShock’s world squarely in the uncanny valley for societies – it’s similar enough to our world to be recognizable, but bizarre in subtle ways that make it unsettling.

As a result, exploring Rapture and discovering its secrets was fun (due to the gameplay) and intriguing (due to the world).  It was a brilliant game all around.

BioShock Infinite starts strong.  Protagonist Booker DeWitt, seeking to retrieve a particular young lady, travels to the floating city of Columbia and is immediately greeted by a strange cult.  There are white robes, a charismatic prophet, candle-lit altars, and an unrequested baptism in the opening minutes of the game.

After awaking from his near-drowning experience during the baptism, Booker finds that the powers-that-be behind Columbia have developed a religious order that worships the founding fathers of the United States as gods, taking patriotism to an uncomfortable extreme (in much the same way that BioShock treated individualism).

That. Is. Awesome!

I was tingling with anticipation, hoping to learn more of the philosophy behind this patriotic cult and expecting to see conflicts arise as Columbia’s citizens fought with the overzealous adherence to this radical religious thought.  Infinite was set to be another delightfully twisted adventure.

But then, little more than 30 minutes into the plot, the cult disappears almost completely.  Sure, they still refer to their leader as the prophet, but there is virtually no discussion of the principles governing this world.  Instead, the narrative shifts into one focused on segregation and class warfare.  Although not explicitly bad, this storyline was awfully mundane because it was historically appropriate for the game’s 1912 setting – that’s the kind of stuff that was really happening in the United States at that time.

In the latter half of the game, we see yet another plot that supercedes the previous two.  This final story borders on pretentious, as it introduces extreme science fiction elements with very little explanation.  It’s almost as if the game’s conclusion is trippy purely for the sake of being trippy; it’s the gaming equivalent of M. Night Shyamalan’s later films.

That’s ultimately my biggest complaint with Infinite: rather than creating an epic, detailed world for the player to explore, they tried to merge three, resulting in three underdeveloped (and therefore uninteresting) storylines.  By the game’s final scenes, I honestly didn’t care about the story or the world.  My hope that everything would get tied together in the end never came to fruition, so I completed the game disappointed with the journey as a whole.

On the bright side, this underwhelming story is fantastically presented.  The world is stunningly detailed, with gorgeous environments and fabulous character models.  As an example, you spend much of the game traveling with Elizabeth (the girl Booker’s sent to bring back), and she will idly lean against walls or look out windows while you’re looting nearby trashcans.  Those little details bring some realism to the game, despite the somewhat cartoonish visual style.  The voice acting and sound effects are similarly immersive, so it’s a solid all-around presentation.

In terms of gameplay, Infinite is about what you’d expect from a modern shooter.  It features several different weapons and a familiar control scheme for eliminating your enemies, plus a gimmick that makes the game different from all the other shooters on the market.  Infinite’s gimmick, the indistinguishable-from-magic “vigors,” are functionally identical to BioShock’s plasmids – you wield a vigor in one hand while holding a gun in the other, and they allow you to shock your enemies or possess machines.  Unlike plasmids, the vigors aren’t explained (why do I need salt to throw a fireball?), but it gives the game the same basic feel as its predecessors.

There are some new features, though.  The most prominent is Elizabeth.  You spend about half the game traveling with Elizabeth, but it’s never an escort scenario; although she makes you do most of the fighting, Elizabeth helps out in some interesting ways and is able to defend herself.  She will even occasionally throw restorative items or ammunition to you in the heat of battle, which is pretty cool.

Infinite also introduces a Sky-Line system of rails circling some of the bigger battlegrounds.  These rails allow you to quickly move through an area and let you drop on your enemies for a devastating melee attack from above.  This system is unfortunately pretty disorienting, as your perspective will change rapidly when jumping onto or off of the rails.  It’s also the one part of the game that really requires precision, but it felt pretty clunky to me; I had a hard time with both getting on and off these rails quickly.

The most disappointing aspect of the otherwise solid gameplay is the difficulty curve.  For the most part, the game ramps the difficulty up pretty slowly, with some spikes each time you encounter a new type of enemy (and therefore have to develop new combat strategies).  But then it blasts you harder enemies and much more difficult objectives in the last couple sections.  It can be infuriating to progress through the majority of a game without any serious complications only to be greeted with a difficulty wall at the end.  If the rest of the game had been a bit harder, I wouldn’t have minded the final scenes nearly as much, but as it stands, the last bit of the game is exceptionally frustrating.

In the end, BioShock Infinite is a decent first-person shooter.  It’s built on the same great gameplay as earlier BioShock titles, with only some minor hiccups along the way.  The real flaw, though, is in the story – instead of boasting a flavorful plot in a fantastic world, we get a schizophrenic narrative that can’t quite decide what it wants to be.  As a result, it really does feel just like any other faceless shooter on the market.  It’s a fun game, and it’s worth at least one playthrough, but it doesn’t have nearly the same charm as the rest of the series.

My Rating: 6/10 – decent.

Monday Magic - Blue-Black Milling Revisions

I had a couple chances to use last week's mill deck, and I came away with a couple basic observations:

First, I had some trouble getting the card advantage I really need for this deck to work.  I need one or two more cheap draw effects to avoid stagnating early on.

Second, I found that my biggest difficulty was dealing with lots of creatures in an aggressive deck.  I have a few good blockers, but it's still easy to get overwhelmed.  Unfortunately, I don't want to sacrifice any of the defensive spells I already have, and I definitely don't want to lose any card draw, so I really just need more efficient blockers.

Third, as much as I love it, the Giant Oyster is just too slow to be really effective.  It's permanent lockdown, but it can only start doing the job on turn five, by which point the tempo of the game is pretty much determined.

On top of those considerations, I came into another Invisible Stalker, who serves as a recurring source of direct milling (Paranoid Delusions) and card draw (Last Thoughts).  It may be worth tweaking the number of Cipher cards at some point, but for now, I'll just add the extra Stalker and see what happens.

With those things in mind, I'm only replacing three cards.  I'm removing the Giant Oyster, Mind Unbound (it's too expensive to be useful - if my win condition were just Jace's Erasure, Mind Unbound could end the game, but with Mind Grind being my bomb, Unbound doesn't much matter), and the Grindstone (similar to Mind Unbound, I find that it doesn't help me in the early-game because I want to spend all my mana on other things, and by the late-game, I have other, better options).

In their place, I'm adding another Invisible Stalker, another Ponder, and an Undead Alchemist.  I think the Alchemist is a great addition because he can easily generate tons of blockers, and if I have superior board presence, he can speed the milling.

This is an awesome board state for this deck.

Here's the current version:


Creatures:

2 Invisible Stalker
2 Hover Barrier
1 Wall of Frost
2 Balustrade Spy
1 Undead Alchemist
2 Deadeye Navigator

Instants:

2 Power Sink
1 Thought Scour
2 Counterspell
2 Mana Leak
2 Crippling Chill

Sorceries:

3 Ponder
1 Portent
1 Mind Grind
2 Paranoid Delusions
2 Divination
2 Last Thoughts
2 Sleep

Enchantments:

4 Jace's Erasure

Lands:

3 Dimir Guildgate
15 Island
5 Swamp
1 Watery Grave

It may even be worth shifting the focus of the deck away from Mind Grind and the Balustrade Spy, instead playing a bunch of zombies and relying on the Alchemist (I have 3 copies anyway).  Call to the Grave plus a mixture of zombies and milling may very well be a winning combination.  Perhaps it's even worth building another annoying mill deck with the zombie emphasis...